|
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
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1 |
Content_Area |
National
Standards |
Content_Standard |
Goals |
Strand |
Big_Idea |
Concept |
Begin_Grade |
End_Grade |
GLE_Code |
GLE_Description |
2 |
Music |
1 |
1 |
|
PP |
1 |
A |
K |
K |
a |
Use singing, speaking, whispering
and shouting voices |
3 |
Music |
1 |
1 |
|
PP |
1 |
A |
1 |
1 |
a |
Reproduce/echo melodies
in limited range [sol-mi, la-sol-mi] |
4 |
Music |
1 |
1 |
|
PP |
1 |
A |
1 |
1 |
b |
Use a singing voice with
a head tone |
5 |
Music |
1 |
1 |
|
PP |
1 |
A |
2 |
2 |
a |
Apply accurate *pitch
relationships while singing in a limited range [la-sol-mi, sol-mi-re-do] |
6 |
Music |
1 |
1 |
|
PP |
1 |
A |
2 |
2 |
b |
Demonstrate appropriate
singing posture |
7 |
Music |
1 |
1 |
|
PP |
1 |
A |
3 |
3 |
a |
Apply accurate pitch relationships
while singing in a limited range [la-sol-mi, sol-mi-re-do] |
8 |
Music |
1 |
1 |
|
PP |
1 |
A |
4 |
4 |
a |
Match pitch in an extended
range [octave] |
9 |
Music |
1 |
1 |
|
PP |
1 |
A |
5 |
5 |
a |
Use breath control and
accurate *diction while singing |
10 |
Music |
1 |
1 |
|
PP |
1 |
A |
6 |
8 |
a |
General Music Classes:
Demonstrate singing skills using a singing voice |
11 |
Music |
1 |
1 |
|
PP |
1 |
A |
6 |
8 |
b |
[Reasoning: Some
MS classes are part of an exploratory wheel – may be keyboards only,
world music, etc.) |
12 |
Music |
1 |
1 |
|
PP |
1 |
A |
6 |
8 |
d |
Demonstrate appropriate
singing posture, breath support, and diction |
13 |
Music |
1 |
1 |
|
PP |
1 |
A |
9 |
12 |
a |
General Music/Instrumental
Classes: Demonstrate singing skills and match pitch in an appropriate
range |
14 |
Music |
1 |
1 |
|
PP |
1 |
A |
9 |
12 |
b |
Vocal Performance Classes:
Proficient Demonstrate proper fundamental singing technique when performing
music of moderate *technical demands, expanded range, and varied interpretations |
15 |
Music |
1 |
1 |
|
PP |
1 |
A |
9 |
12 |
c |
Advanced Demonstrate
proper singing technique in the following: intonation, tone quality,
breathing, diction, rhythm, note accuracy, posture, memorization |
16 |
Music |
1 |
1 |
|
PP |
1 |
B |
1 |
1 |
a |
Demonstrate fast and slow
*tempo |
17 |
Music |
1 |
1 |
|
PP |
1 |
B |
2 |
2 |
a |
Demonstrate loud and soft
*dynamics [p, f] and fast and slow tempo |
18 |
Music |
1 |
1 |
|
PP |
1 |
B |
3 |
4 |
a |
Demonstrate dynamics [p,
f, *crescendo, *decrescendo/diminuendo] and tempi
[fast, slow, *ritardando] |
19 |
Music |
1 |
1 |
|
PP |
1 |
B |
3 |
4 |
b |
Interpret expressive markings
[accent,*fermata] |
20 |
Music |
1 |
1 |
|
PP |
1 |
B |
5 |
5 |
a |
Use dynamics and *phrasing
to communicate an interpretation of a given *style |
21 |
Music |
1 |
1 |
|
PP |
1 |
B |
6 |
8 |
a |
General Music Classes:
Use dynamics and phrasing to communicate an interpretation of a given
style |
22 |
Music |
1 |
1 |
|
PP |
1 |
B |
6 |
8 |
b |
Vocal Performance Classes:
Apply vocal techniques required for expressive performance of varied
literature |
23 |
Music |
1 |
1 |
|
PP |
1 |
B |
9 |
12 |
a |
General Music/Choir
and Instrumental Classes: Proficient Apply vocal techniques required
for expressive performance of varied literature |
24 |
Music |
1 |
1 |
|
PP |
1 |
B |
9 |
12 |
b |
Advanced Vocal Performance
Classes: Apply vocal techniques required for expressive performance
of varied literature |
25 |
Music |
1 |
1 |
|
PP |
1 |
C |
K |
3 |
a |
Perform a varied repertoire
of songs, including patriotic, folk, seasonal, spirituals |
26 |
Music |
1 |
1 |
|
PP |
1 |
C |
4 |
4 |
a |
Perform a varied repertoire
of songs including patriotic, folk, seasonal, spirituals, multicultural |
27 |
Music |
1 |
1 |
|
PP |
1 |
C |
5 |
5 |
a |
Perform a varied repertoire
of songs including patritic, folk, seasonal including some from memory |
28 |
Music |
1 |
1 |
|
PP |
1 |
C |
6 |
8 |
a |
General Music Classes:
Apply stylistic elements needed to perform the music of various *genres
and cultures |
29 |
Music |
1 |
1 |
|
PP |
1 |
C |
6 |
8 |
b |
Vocal Performance Classes:Apply
stylistic elements needed to perform the music of various genres and
cultures |
30 |
Music |
1 |
1 |
|
PP |
1 |
C |
9 |
12 |
a |
Vocal Performance Classes:
Proficient Apply stylistic elements needed to perform the music of various
genres and cultures |
31 |
Music |
1 |
1 |
|
PP |
1 |
C |
9 |
12 |
b |
Advanced : Apply stylistic
elements needed to perform the music of various genres and cultures |
32 |
Music |
1 |
1 |
|
PP |
1 |
D |
2 |
2 |
a |
Perform *ostinati |
33 |
Music |
1 |
1 |
|
PP |
1 |
D |
3 |
3 |
a |
Perform ostinati
and *rounds |
34 |
Music |
1 |
1 |
|
PP |
1 |
D |
4 |
4 |
a |
Perform ostinati,
rounds, canons and partner songs |
35 |
Music |
1 |
1 |
|
PP |
1 |
D |
5 |
5 |
a |
Perform simple harmonic
songs rounds, canons, partner songs, two part |
36 |
Music |
1 |
1 |
|
PP |
1 |
D |
6 |
8 |
a |
General Music Classes:
Perform simple harmonic songs: rounds, canons, partner songs, two part |
37 |
Music |
1 |
1 |
|
PP |
1 |
D |
6 |
8 |
b |
Vocal Performance Classes:
Perform *harmony in songs of two and three parts |
38 |
Music |
1 |
1 |
|
PP |
1 |
D |
9 |
12 |
a |
Vocal Performance Classes:
Proficient Perform one on a part in various arrangements for two or
more voice parts *a cappella and with *accompaniment |
39 |
Music |
1 |
1 |
|
PP |
1 |
D |
9 |
12 |
b |
Advanced Perform one
on a part in various four or more voice part arrangements a cappella
and with accompaniment |
40 |
Music |
1 |
1 |
|
PP |
1 |
E |
K |
K |
a |
Perform in groups following
cues of the *conductor |
41 |
Music |
1 |
1 |
|
PP |
1 |
E |
1 |
1 |
a |
Perform in groups using
a steady beat following the cues of the conductor |
42 |
Music |
1 |
1 |
|
PP |
1 |
E |
2 |
2 |
a |
Perform in groups using
a steady beat, matching dynamics, following the cues of the conductor |
43 |
Music |
1 |
1 |
|
PP |
1 |
E |
3 |
3 |
a |
Perform in groups matching
tempo and dynamic changes, following the cues of the conductor |
44 |
Music |
1 |
1 |
|
PP |
1 |
E |
4 |
4 |
a |
Demonstrate characteristic
*timbre, dynamics and rhythmic accuracy in time during group performance,
following the cues of the conductor |
45 |
Music |
1 |
1 |
|
PP |
1 |
E |
5 |
5 |
a |
Demonstrate characteristic
timbre, dynamics and rhythmic
accuracy in time while singing in an *ensemble |
46 |
Music |
1 |
1 |
|
PP |
1 |
E |
5 |
5 |
b |
Respond expressively to
conductor’s cues |
47 |
Music |
1 |
1 |
|
PP |
1 |
E |
6 |
8 |
a |
General Music Classes:
Demonstrate characteristic timbre, dynamics and rhythmic accuracy in
time while singing in an ensemble |
48 |
Music |
1 |
1 |
|
PP |
1 |
E |
6 |
8 |
b |
Respond expressively to
conductor’s cues |
49 |
Music |
1 |
1 |
|
PP |
1 |
E |
6 |
8 |
c |
Vocal Performance Classes:
Apply techniques for expressive performance of vocal literature of Level
1-2 in a choral ensemble (refer to glossary for *Level of Difficulty) |
50 |
Music |
1 |
1 |
|
PP |
1 |
E |
9 |
12 |
a |
Vocal Performance Classes:
Proficient Apply techniques for expressive performance of vocal literature
of level 1-3 in a choral ensemble (refer to glossary for grade-level
definitions) |
51 |
Music |
1 |
1 |
|
PP |
1 |
E |
9 |
12 |
b |
Advanced Apply techniques
for expressive performance of vocal literature of Level 4 or higher
in a chamber or choral ensemble (refer to glossary for Level of Difficulty) |
52 |
Music |
2 |
1 |
|
PP |
2 |
A |
K |
K |
a |
Perform using two dynamic
levels—soft and loud |
53 |
Music |
2 |
1 |
|
PP |
2 |
A |
K |
K |
b |
Echoes simple rhythms (long
and short sounds) |
54 |
Music |
2 |
1 |
|
PP |
2 |
A |
1 |
1 |
a |
Perform a steady beat |
55 |
Music |
2 |
1 |
|
PP |
2 |
A |
1 |
1 |
b |
Echo simple rhythmic patterns |
56 |
Music |
2 |
1 |
|
PP |
2 |
A |
2 |
3 |
a |
Perform the following rhythmic
patterns using standard or iconic notation:Whole note/rest, Quarter
note/rest, Half note/ rest, Eighth note pairs |
57 |
Music |
2 |
1 |
|
PP |
2 |
A |
4 |
4 |
a |
Read and perform at least
three (3) pitches on a melodic instrument; Read and perform rhythmic
patterns: Whole note/rest, Quarter note/rest, Half note/rest,
Eighth note/rest pairs, dotted half note, sixteenth notes |
58 |
Music |
2 |
1 |
|
PP |
2 |
A |
5 |
5 |
a |
Read and perform at least
five (5) pitches on a melodic instrument |
59 |
Music |
2 |
1 |
|
PP |
2 |
A |
5 |
5 |
b |
Read and perform rhythms
in simple *meter: Whole note/rest, Quarter note/rest, Half note/rest,
Eighth note/rest, Dotted half note, Sixteenth notes, dotted
quarter followed by eighth, *syncopation |
60 |
Music |
2 |
1 |
|
PP |
2 |
A |
6 |
8 |
a |
General Music Classes:
Read and perform at least five (5) pitches on a melodic instrument |
61 |
Music |
2 |
1 |
|
PP |
2 |
A |
6 |
8 |
b |
Read and perform rhythms
in simple *meter: Whole note/rest, Quarter note/rest, Half note/rest,
Eighth note/rest, Dotted half note, Sixteenth notes, dotted
quarter followed by eighth, *syncopation |
62 |
Music |
2 |
1 |
|
PP |
2 |
A |
6 |
8 |
c |
Read and perform a short
song/piece using effective expression and characteristic timbre |
63 |
Music |
2 |
1 |
|
PP |
2 |
A |
6 |
8 |
d |
Instrumental Performance
Classes: Demonstrate instrumental technique (e.g., fingerings, bowings,
stickings, playing position, tone quality, *articulation) |
64 |
Music |
2 |
1 |
|
PP |
2 |
A |
6 |
8 |
e |
Demonstrate instrument
maintenance and care |
65 |
Music |
2 |
1 |
|
PP |
2 |
A |
9 |
12 |
a |
General Music/Vocal
Music Classes: Demonstrate basic instrumental skills and knowledge on
selected instruments (e.g., keyboard instrument, bells, auxiliary percussion,
drum, guitar) |
66 |
Music |
2 |
1 |
|
PP |
2 |
A |
9 |
12 |
b |
Instrumental Performance
Classes: Proficient :Apply instrumental technique (e.g., fingerings,
bowings, stickings, playing position, tone quality, articulation) for
grade 2-3 literature |
67 |
Music |
2 |
1 |
|
PP |
2 |
A |
9 |
12 |
c |
Demonstrate instrument
maintenance and care |
68 |
Music |
2 |
1 |
|
PP |
2 |
A |
9 |
12 |
d |
Apply the ability to adjust
the pitch to a given standard during performance (play in tune) |
69 |
Music |
2 |
1 |
|
PP |
2 |
A |
9 |
12 |
e |
Advanced: Apply instrumental
technique (i.e., fingerings, bowings, stickings, playing position, tone
quality, articulation) for grade 4 or higher literature |
70 |
Music |
1 |
1 |
|
PP |
2 |
B |
1 |
1 |
a |
Demonstrate fast and slow
tempi |
71 |
Music |
1 |
1 |
|
PP |
2 |
B |
2 |
2 |
a |
Demonstrate loud and soft
dynamics [p, f] and fast and slow tempi |
72 |
Music |
1 |
1 |
|
PP |
2 |
B |
3 |
3 |
a |
Interpret expressive markings
[accent, fermata] |
73 |
Music |
1 |
1 |
|
PP |
2 |
B |
3 |
3 |
b |
Demonstrate dynamics [p,
f] and tempi [fast, slow] |
74 |
Music |
1 |
1 |
|
PP |
2 |
B |
4 |
4 |
a |
Interpret expressive markings
[accent, fermata] |
75 |
Music |
1 |
1 |
|
PP |
2 |
B |
4 |
4 |
b |
Demonstrate dynamics [p,
f, crescendo, descrescendo/dim-inuendo] and tempi [fast, slow,
ritardando] |
76 |
Music |
2 |
1 |
|
PP |
2 |
B |
5 |
5 |
a |
Read and perform a short
song using effective *expression
and characteristic timbre |
77 |
Music |
2 |
1 |
|
PP |
2 |
B |
6 |
8 |
a |
Instrumental Performance
Classes: Read and perform music notation at a “beginning” to 2 grade-level
(refer to glossary for Level of Difficulty) |
78 |
Music |
2 |
1 |
|
PP |
2 |
B |
6 |
8 |
b |
Read and perform a short
song/piece using effective expression and characteristic timbre |
79 |
Music |
2 |
1 |
|
PP |
2 |
B |
9 |
12 |
a |
Instrumental Performance
Classes: Proficient: Read and perform music notation at a 3 grade-level
(refer to glossary for Level of Difficulty) |
80 |
Music |
2 |
1 |
|
PP |
2 |
B |
9 |
12 |
b |
Advanced: Read and perform
music notation at a 4 grade-level or higher (refer to glossary for Level
of Difficulty) |
81 |
Music |
2 |
1 |
|
PP |
2 |
C |
K |
5 |
a |
Perform a varied repertoire
of music including instrumental accompaniments representing diverse
cultures, genres, and styles |
82 |
Music |
2 |
1 |
|
PP |
2 |
C |
6 |
8 |
a |
General Music Classes:
Perform a varied repertoire of music including instrumental accompaniments
representing diverse cultures, genres, and styles |
83 |
Music |
2 |
1 |
|
PP |
2 |
C |
6 |
8 |
b |
Instrumental Performance
Classes: Perform a varied repertoire of music representing diverse cultures,
genres and styles |
84 |
Music |
2 |
1 |
|
PP |
2 |
C |
6 |
8 |
c |
Apply stylistic elements
needed to perform the music of various cultures, genres and styles |
85 |
Music |
2 |
1 |
|
PP |
2 |
C |
9 |
12 |
a |
Instrumental Performance
Classes: Perform a varied repertoire of music representing diverse cultures,
genres and styles |
86 |
Music |
2 |
1 |
|
PP |
2 |
C |
9 |
12 |
b |
Apply stylistic elements
needed to perform the music of various cultures, genres and styles |
87 |
Music |
2 |
1 |
|
PP |
2 |
D |
K |
2 |
a |
Echo short rhythmic patterns
on rhythm instruments and/or body percussion |
88 |
Music |
2 |
1 |
|
PP |
2 |
D |
3 |
5 |
a |
Echo short rhythmic and
melodic patterns on *classroom instruments |
89 |
Music |
2 |
1 |
|
PP |
2 |
D |
6 |
8 |
a |
General Music Classes:
Echo rhythmic and melodic patterns of increasing complexity on classroom
instruments |
90 |
Music |
2 |
1 |
|
PP |
2 |
D |
6 |
8 |
b |
Instrumental Performance
Classes: Play by ear simple melodies on a melodic instrument or simple
accompaniments on a harmonic instrument |
91 |
Music |
2 |
1 |
|
PP |
2 |
D |
9 |
12 |
a |
Instrumental Performance
Classes: Proficient: Play by ear simple melodies (4-6 pitches) on a
melodic instrument or simple accompaniments on a harmonic instrument |
92 |
Music |
2 |
1 |
|
PP |
2 |
D |
9 |
12 |
b |
Advanced: Play by ear
melodies or phrases of increasing complexity, on a melodic instrument
or simple accompaniments on a harmonic instrument |
93 |
Music |
2 |
1 |
|
PP |
2 |
E |
K |
K |
a |
Perform in groups following
cues of the conductor |
94 |
Music |
2 |
1 |
|
PP |
2 |
E |
1 |
1 |
a |
Perform in groups using
a steady beat following the cues of the conductor |
95 |
Music |
2 |
1 |
|
PP |
2 |
E |
2 |
2 |
a |
Perform in groups
using a steady beat, matching dynamics, and following the cues of the
conductor |
96 |
Music |
2 |
1 |
|
PP |
2 |
E |
3 |
3 |
a |
Perform in
groups matching tempo and dynamic changes, and following the cues of
the conductor |
97 |
Music |
2 |
1 |
|
PP |
2 |
E |
4 |
4 |
a |
Perform independently in
a group, demonstrating characteristic timbre, tempo, and dynamics, following
the cues of the conductor |
98 |
Music |
2 |
1 |
|
PP |
2 |
E |
5 |
5 |
a |
Demonstrate characteristic
timbre, tempo, and dynamics independently for group performance, responding
expressively to the cues of the conductor |
99 |
Music |
2 |
1 |
|
PP |
2 |
E |
6 |
8 |
a |
General Music Classes:
Demonstrate characteristic timbre, tempo, and dynamics on classroom/percussion
instruments for group performance, responding expressively to the cues
of the conductor |
100 |
Music |
2 |
1 |
|
PP |
2 |
E |
6 |
8 |
b |
Instrumental Performance
Classes: Demonstrate characteristic timbre, tempo, and dynamics independently
for group performance, responding expressively to the cues of the conductor |
101 |
Music |
2 |
1 |
|
PP |
2 |
E |
9 |
12 |
a |
Instrumental Performance
Classes: Proficient: Perform with other instrumentalists to achieve
a characteristic ensemble sound including dynamics, timbre, balance,
blend, and intonation |
102 |
Music |
2 |
1 |
|
PP |
2 |
E |
9 |
12 |
b |
Advanced: Perform with
other instrumentalists to achieve a refined ensemble sound including
dynamics, timbre, balance, blend, and intonation in advanced literature
to include *solos, chamber ensembles, and large groups |
103 |
Music |
3 |
1 |
|
PP |
3 |
A |
1 |
1 |
a |
*Improvise short
rhythmic patterns |
104 |
Music |
3 |
1 |
|
PP |
3 |
A |
2 |
2 |
a |
Improvise short rhythmic
and melodic patterns |
105 |
Music |
3 |
1 |
|
PP |
3 |
A |
3 |
3 |
a |
Improvise simple rhythmic
and melodic ostinati accompaniments |
106 |
Music |
3 |
1 |
|
PP |
3 |
A |
4 |
4 |
a |
Improvise simple rhythmic
and melodic ostinati accompaniments |
107 |
Music |
3 |
1 |
|
PP |
3 |
A |
5 |
5 |
a |
Improvise short rhythmic
and melodic patterns |
108 |
Music |
3 |
1 |
|
PP |
3 |
A |
5 |
5 |
b |
Improvise simple rhythmic,
melodic and/or harmonic accompaniments |
109 |
Music |
3 |
1 |
|
PP |
3 |
A |
5 |
5 |
c |
Improvise simple rhythmic
*variations on familiar melodies |
110 |
Music |
3 |
1 |
|
PP |
3 |
QA |
5 |
5 |
d |
Improvise short songs and
instrumental pieces, using a variety of sound sources |
111 |
Music |
3 |
1 |
|
PP |
3 |
A |
6 |
8 |
a |
General Music Classes:
Improvise short rhythmic and melodic patterns |
112 |
Music |
3 |
1 |
|
PP |
3 |
A |
6 |
8 |
b |
Improvise simple rhythmic,
melodic and/or harmonic accompaniments |
113 |
Music |
3 |
1 |
|
PP |
3 |
A |
6 |
8 |
c |
Improvise simple rhythmic
variations on familiar melodies |
114 |
Music |
3 |
1 |
|
PP |
3 |
A |
6 |
8 |
d |
Improvise short songs and
instrumental pieces, using a variety of sound sources |
115 |
Music |
3 |
1 |
|
PP |
3 |
A |
6 |
8 |
e |
Vocal and Instrumental
Performance Classes: Improvise simple rhythmic variations in a consistent
style and meter |
116 |
Music |
3 |
1 |
|
PP |
3 |
A |
9 |
12 |
a |
General Music/Vocal
and Instrumental Performance Classes: Improvise simple rhythmic and/or
melodic variations in a consistent style and meter |
117 |
Music |
3 |
1 |
|
PP |
3 |
A |
9 |
12 |
b |
Vocal (Show Choir) and
Instrumental (*Jazz) Performance Classes: Improvise
harmonized parts: Improvise original melodies over given *chord progressions,
each in a consistent style, meter, and *tonality |
118 |
Music |
4 |
1 |
|
PP |
4 |
A |
1 |
1 |
a |
Create a single tone or
non-pitched accompaniment for songs and stories |
119 |
Music |
4 |
1 |
|
PP |
4 |
A |
2 |
2 |
a |
Create a rhythmic composition
using *icons |
120 |
Music |
4 |
1 |
|
PP |
4 |
A |
2 |
2 |
b |
Create a *phrase
by arranging rhythms |
121 |
Music |
4 |
1 |
|
PP |
4 |
A |
3 |
3 |
a |
Create a
rhythmic and/or melodic composition using icons |
122 |
Music |
4 |
1 |
|
PP |
4 |
A |
4 |
4 |
a |
Create rhythmic and/or
melodic ostinati and *soundscapes |
123 |
Music |
4 |
1 |
|
PP |
4 |
A |
5 |
5 |
a |
Create and notate a rhythmic
and/or melodic ostinati accompaniment within teacher’s specified
guidelines |
124 |
Music |
4 |
1 |
|
PP |
4 |
A |
6 |
8 |
a |
General Music Classes:
Create and notate a rhythmic and/or melodic ostinati accompaniment within
teacher’s specified guidelines |
125 |
Music |
4 |
1 |
|
PP |
4 |
A |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Create or arrange a short song/piece or phrases
using a variety of sound sources within specified guidelines |
126 |
Music |
4 |
1 |
|
PP |
4 |
A |
9 |
12 |
a |
General Music/Vocal
and Instrumental Performance Classes: Proficient: Create or arrange
songs or instrumental pieces using a variety of sound sources within
specified guidelines |
127 |
Music |
4 |
1 |
|
PP |
4 |
A |
9 |
12 |
b |
Advanced: Compose music
(phrases) in a distinct style, demonstrating creativity in using the
*elements of music for expressive effect |
128 |
Music |
4 |
1 |
|
PP |
4 |
A |
9 |
12 |
c |
Arrange simple pieces for
voices or instruments other than those for which the pieces were originally
written (*transposition) |
129 |
Music |
5 |
2 |
|
EP |
1 |
A |
K |
K |
a |
Read icons for long and
short sounds and silence in duple meter |
130 |
Music |
5 |
2 |
|
EP |
1 |
A |
1 |
1 |
a |
Read simple rhythm patterns
(using iconic or standard notation) consisting of: quarter note/rest,
eighth-note pairs |
131 |
Music |
5 |
2 |
|
EP |
1 |
A |
2 |
2 |
a |
Read simple rhythm patterns
(using iconic or standard notation) consisting of: whole note/rest,
quarter note/rest, half note/rest, eighth-note pairs |
132 |
Music |
5 |
2 |
|
EP |
1 |
A |
3 |
3 |
a |
Read simple rhythm patterns
(using iconic or standard notation) consisting of: whole note/rest,
quarter note/rest, half note/rest, eighth-note pairs, dotted half note |
133 |
Music |
5 |
2 |
|
EP |
1 |
A |
4 |
4 |
a |
Read standard rhythmic
notation in 2/4, ?, 4/4 meter signatures with bar lines
consisting of: whole note/rest, quarter note/rest, half note/rest,
eighth-note pairs, dotted half note, sixteenth notes |
134 |
Music |
5 |
2 |
|
EP |
1 |
A |
5 |
5 |
a |
Read standard rhythmic
notation in 2/4, ?, 4/4 and 6/8 meter signatures with bar lines
consisting of: whole note/rest, quarter note/rest, half note/rest, eighth-note
pairs, dotted half note, sixteenth notes, eighth note/rest, dotted quarter
note/rest, 3 eight notes beamed together in 6/8, syncopation |
135 |
Music |
5 |
2 |
|
EP |
1 |
A |
6 |
8 |
a |
General Music Classes:
Interpret standard rhythmic notation in 2/4, ?, 4/4, and 6/8 meter
signatures using bar lines consisting of: whole note/rest, quarter note/rest,
half note/rest, eighth-note pairs, dotted half note, sixteenth
notes, dotted quarter followed by eighth, dotted quarter note/rest,
3 eighth notes beamed together in 6/8, syncopation. |
136 |
Music |
5 |
2 |
|
EP |
1 |
A |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Perform standard rhythmic notation in 2/4, ?,
4/4 and 6/8 meter signature with bar lines using all rhythm and
note values above |
137 |
Music |
5 |
2 |
|
EP |
1 |
A |
9 |
12 |
a |
General Music Classes:
Interpret and explain duration and meter in 2/4, ?. 4/4 and 6/8
meter signature using bar lines using: whole note/rest, quarter
note/rest, half note/rest, eighth-note pairs, dotted
half note, sixteenth notes, dotted quarter followed by eighth, dotted
quarter note/rest, 3 eighth notes beamed together in 6/8, syncopation |
138 |
Music |
5 |
2 |
|
EP |
1 |
A |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Interpret and explain standard rhythmic notation
in simple and compound meters using all rhythm and note values above,
and add *syncopation, *alla breve |
139 |
Music |
5 |
2 |
|
EP |
1 |
B |
1 |
1 |
a |
Identify icons for high
and low sounds |
140 |
Music |
5 |
2 |
|
EP |
1 |
B |
2 |
2 |
a |
Identify melodies that
move up, down, or stay the same |
141 |
Music |
5 |
2 |
|
EP |
1 |
B |
2 |
2 |
b |
Transfer melodic icons
to pitch notation (e.g., two line *staff) |
142 |
Music |
5 |
2 |
|
EP |
1 |
B |
3 |
3 |
a |
Transfer short melodic
*solfege (e.g., sol-mi, sol-la, sol-la-sol-mi) to pitch notation
on the staff using the treble *clef |
143 |
Music |
5 |
2 |
|
EP |
1 |
B |
4 |
4 |
a |
Identify standard pitch
notation in the treble clef |
144 |
Music |
5 |
2 |
|
EP |
1 |
B |
5 |
5 |
a |
Identify standard pitch
notation in the treble clef, including one ledger line above and below
the staff |
145 |
Music |
5 |
2 |
|
EP |
1 |
B |
5 |
5 |
b |
Identify *accidentals,
sharps, flats, natural signs |
146 |
Music |
5 |
2 |
|
EP |
1 |
B |
6 |
8 |
a |
General Music Classes:
Identify standard pitch notation in the treble clef, including one ledger
line above and below the staff |
147 |
Music |
5 |
2 |
|
EP |
1 |
B |
6 |
8 |
b |
Identify accidentals sharps,
flats, natural signs |
148 |
Music |
5 |
2 |
|
EP |
1 |
B |
6 |
8 |
c |
Vocal and Instrumental
Performance Classes: Employ standard pitch notation in the clef appropriate
to student’s instrument or voice in an appropriate range and *keys |
149 |
Music |
5 |
2 |
|
EP |
1 |
B |
9 |
12 |
a |
General Music Classes:
Identify standard pitch notation in the treble clef, including one ledger
line above and below the staff (*middle C), and identify notes in the
bass clef |
150 |
Music |
5 |
2 |
|
EP |
1 |
B |
9 |
12 |
b |
Identify accidentals sharps,
flats, natural signs |
151 |
Music |
5 |
2 |
|
EP |
1 |
B |
9 |
12 |
c |
Vocal and Instrumental
Performance Classes: mploy standard pitch notation in the clef appropriate
to student’s instrument or voice in an appropriate range and keys |
152 |
Music |
5 |
2 |
|
EP |
1 |
C |
1 |
1 |
a |
Recognize fast and slow
tempi |
153 |
Music |
5 |
2 |
|
EP |
1 |
C |
2 |
2 |
a |
Identify p
for piano and f
for forte |
154 |
Music |
5 |
2 |
|
EP |
1 |
C |
3 |
3 |
a |
Identify standard symbols:
p for piano, f for forte, cresc or < for crescendo, decres
or> for decrescendo, dim for diminuendo, fast, slow, ritardando,
accent |
155 |
Music |
5 |
2 |
|
EP |
1 |
C |
4 |
4 |
a |
Identify standard symbols:
p for piano, f for forte, cresc or < for crescendo, decres
or> for decrescendo, dim for diminuendo, fast, slow, ritardando,
accent, fermata, ties, slurs |
156 |
Music |
5 |
2 |
|
EP |
1 |
C |
5 |
5 |
a |
Identify standard symbols
for dynamics, tempo and articulation: p for piano, for forte,
mp for mezzo piano, mf for mezzo forte, pp for pianissimo, ff
for fortissimo, cresc or < for crescendo, decres or> for decrescendo,
dim for diminuendo, *accelerando, *ritardando, *allegro, *moderato,
*andante, *largo, *a tempo, accent, fermata, ties, slurs, staccato,
legato |
157 |
Music |
5 |
2 |
|
EP |
1 |
C |
6 |
8 |
a |
General Music Classes:
Identify standard symbols for dynamics, tempo and articulation: p for
piano, for forte, mp for mezzo piano, mf for mezzo forte, pp for
pianissimo, ff for fortissimo, cresc or < for crescendo, decres
or> for decrescendo, dim for diminuendo, *accelerando, *allegro,
*ritardando, *moderato, *andante, *largo, *a tempo, accent, fermata,
ties, slurs, staccato, legato |
158 |
Music |
5 |
2 |
|
EP |
1 |
C |
6 |
8 |
b |
Vocal and Instr. Performance
Classes: Apply standard listed for General Music classes |
159 |
Music |
5 |
2 |
|
EP |
1 |
C |
9 |
12 |
a |
General Music Classes:
Identify standard symbols for dynamics, tempo and articulation: p for
piano, for forte, mp for mezzo piano, mf for mezzo forte, pp for
pianissimo, ff for fortissimo, cresc or < for crescendo, decres
or> for decrescendo, dim for diminuendo, *accelerando, *allegro,
*ritardando, *moderato, *andante, *largo, *a tempo, accent, fermata,
ties, slurs, staccato, legato |
160 |
Music |
5 |
2 |
|
EP |
1 |
C |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Apply standard listed for General Music classes,
adding marcato and full complement of dynamic range including sfz |
161 |
Music |
5 |
2 |
|
EP |
1 |
D |
3 |
3 |
a |
Notate rhythmic patterns
and dynamics presented by the teacher: whole note/rest, quarter note/rest,
half note/rest, eighth-note pairs, p for piano, f for forte |
162 |
Music |
5 |
2 |
|
EP |
1 |
D |
4 |
4 |
a |
Notate rhythmic patterns
and dynamics presented by the teacher : whole note/rest, quarter note/rest,
half note/rest, eighth-note pairs, p for piano, f for forte, cresc for
crescendo, decresc for decrescendo, dim for dimuendo |
163 |
Music |
5 |
2 |
|
EP |
1 |
D |
5 |
5 |
a |
Notate rhythmic patterns
and dynamics presented by the teacher in 2/4, ? and 4/4 meter signature
using bar lines: whole note rest, quarter note/rest, half note/rest,
eight-note pairs, dotted half note, sixteenth notes, p for piano, f
for forte, mp mor mezzo piano, mf for mezzo forte, cresc for crescendo,
decresc for decrescendo, dim for diminuendo, sol-mi-la, eight note/rest |
164 |
Music |
5 |
2 |
|
EP |
1 |
D |
6 |
8 |
a |
General Music Classes:
Use standard notation for rhythm, pitch, and expressive elements to
record musical ideas of 2 to 4 measures (See Elements of Music) |
165 |
Music |
5 |
2 |
|
EP |
1 |
D |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Use standard notation for rhythm, pitch, and expressive
elements to record musical ideas of 2 to 4 measures for instruments
or voice (See Elements of Music) |
166 |
Music |
5 |
2 |
|
EP |
1 |
D |
9 |
12 |
a |
General Music Classes:
Use standard notation for rhythm, pitch, and expressive elements to
record musical ideas of 2 to 4 measures (See Elements of Music) |
167 |
Music |
5 |
2 |
|
EP |
1 |
D |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Use standard notation for rhythm, pitch, and expressive
elements to record musical ideas of 2 to 4 measures for instrument or
voice |
168 |
Music |
5 |
2 |
|
EP |
1 |
D |
9 |
12 |
c |
Interpret selected literature
that includes nonstandard notation symbols (See Elements of Music) |
169 |
Music |
5 |
2 |
|
EP |
1 |
E |
5 |
5 |
a |
Vocal and Instrumental
Performance Classes: Independently interpret simple rhythmic and melodic
notation at sight |
170 |
Music |
5 |
2 |
|
EP |
1 |
E |
6 |
8 |
a |
Vocal and Instrumental
Performance Classes: Sight read standard musical notation at level 2
difficulty [Level 2 –Easy; may include changes of tempo, *key, and
meter; modest ranges] |
171 |
Music |
5 |
2 |
|
EP |
1 |
E |
9 |
12 |
a |
Vocal and Instrumental
Performance Classes: Proficient: Sight read standard musical notation
at level 3 difficulty [Level 3--Moderately easy; contains moderate
technical demands, expanded ranges, and varied interpretive requirements] |
172 |
Music |
5 |
2 |
|
EP |
1 |
E |
9 |
12 |
b |
Advanced Sight read
standard musical notation at level 4 difficulty [Level 4—moderately
difficult; requires well-developed technical skills, attention to phrasing
interpretation, and ability to perform various meters and rhythms in
a variety of keys] |
173 |
Music |
6 |
3 |
|
AP |
1 |
A |
K |
K |
a |
Distinguish between same
and different |
174 |
Music |
6 |
3 |
|
AP |
1 |
A |
1 |
1 |
a |
Distinguish between music
opposites: same/different, high/low, fast/slow, long/short,
smooth/separated, soft/loud, up/down |
175 |
Music |
6 |
3 |
|
AP |
1 |
A |
2 |
2 |
a |
Recognize basic forms and
composition techniques: question/answer, call/response, AB, repeated
patterns, [ostinati], verse/refrain, repeat sign, introduction |
176 |
Music |
6 |
3 |
|
AP |
1 |
A |
3 |
3 |
a |
Recognize basic forms and
composition techniques: question/answer, call/response, AB, repeated
patterns, [ostinati], verse/refrain, repeat sign, introduction,
canon, ABA, interlude |
177 |
Music |
6 |
3 |
|
AP |
1 |
A |
4 |
4 |
a |
Identify and analyze forms
and composition techniques: AB, ABA, canon, ostinati, verse, refrain,
repeat sign, partner songs, rondo, first and second endings, coda, blues |
178 |
Music |
6 |
3 |
|
AP |
1 |
A |
5 |
5 |
a |
Identify and analyze forms
and composition techniques: AB, ABA, canon, ostinati, verse, refrain,
repeat sign, partner songs, rondo, first and second endings, coda, blues,
theme and variation, DC/Fine, DS al soda/Fine |
179 |
Music |
6 |
3 |
|
AP |
1 |
A |
6 |
8 |
a |
General Music Classes:
Identify and analyze forms and composition techniques: AB/*binary, ABA/*ternary,
rondo, first and second endings, repeat signs, coda, tw-part songs,
theme and variation, DC/Fine, DS al coda/Fine, AABA/song form, fugue |
180 |
Music |
6 |
3 |
|
AP |
1 |
A |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Identify forms used in selected ensemble repertoir |
181 |
Music |
6 |
3 |
|
AP |
1 |
A |
9 |
12 |
a |
General Music Classes:
Identify and analyze forms and composition techniques: theme and
variation, DC/Fine, DS al coda/Fine, AB/binary, ABA/ternary, song form,
sonata, rondo, fugue, opera, ballet, musical theatre, symphonic, Jazz,
sonata |
182 |
Music |
6 |
3 |
|
AP |
1 |
A |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Identify forms used in selected ensemble repertoire |
183 |
Music |
6 |
3 |
|
AP |
1 |
B |
K |
K |
a |
Respond and move to aural
examples of music: sound and silence |
184 |
Music |
6 |
3 |
|
AP |
1 |
B |
K |
K |
b |
Differentiate between nature,
man-made, and animal sounds |
185 |
Music |
6 |
3 |
|
AP |
1 |
B |
K |
K |
c |
Differentiate between various
vocal productions: singing, whispering, shouting, speaking |
186 |
Music |
6 |
3 |
|
AP |
1 |
B |
1 |
1 |
a |
Demonstrate through movement
musical opposites: high/low, fast/slow, long/short, smooth/separated,
soft/loud, same/different, up/down, beat/no beat |
187 |
Music |
6 |
3 |
|
AP |
1 |
B |
1 |
1 |
b |
Differentiate between male,
female, and children’s voices |
188 |
Music |
6 |
3 |
|
AP |
1 |
B |
1 |
1 |
c |
Differentiate between accompanied
and unaccompanied |
189 |
Music |
6 |
3 |
|
AP |
1 |
B |
2 |
2 |
a |
Demonstrate through movement
musical opposites and basic forms: high/low, fast/slow, long/short,
smooth/separated, soft/loud, same/different, soft/loud, same/different,
up/down, question/answer, call/response, AB, repated pattern, ostinati,
verse,/refrain |
190 |
Music |
6 |
3 |
|
AP |
1 |
B |
2 |
2 |
b |
Differentiate between classroom
pitched/non-pitched percussion instruments |
191 |
Music |
6 |
3 |
|
AP |
1 |
B |
3 |
3 |
a |
Demonstrate and/or respond
through movement to aural examples of music: music forms, expressive,
elements |
192 |
Music |
6 |
3 |
|
AP |
1 |
B |
3 |
3 |
b |
Visually and aurally identify
instrumental families |
193 |
Music |
6 |
3 |
|
AP |
1 |
B |
3 |
3 |
c |
Distinguish between methods
of sound production |
194 |
Music |
6 |
3 |
|
AP |
1 |
B |
3 |
3 |
d |
Differentiate between ensemble
groupings (solo vs. group) |
195 |
Music |
7 |
3 |
|
AP |
1 |
B |
4 |
4 |
a |
Distinguish between vocal
ensemble groupings and orchestral instruments |
196 |
Music |
7 |
3 |
|
AP |
1 |
B |
4 |
4 |
b |
Identify instruments as
representative of various cultures |
197 |
Music |
7 |
3 |
|
AP |
1 |
B |
5 |
5 |
a |
Identify contrasting musical
elements for vocal and instrumental music including melody, harmony,
rhythm, expression, form, and timbre (e.g., voice classification-SATB,
instrumental ensemble groupings-Jazz Band/Concert Band, etc.) |
198 |
Music |
6 |
3 |
|
AP |
1 |
B |
6 |
12 |
a |
General Music Classes
and Vocal and Instrumental Performance Classes: Determine the musical
means (source) and size of group of an aural example |
199 |
Music |
6 |
3 |
|
AP |
1 |
B |
6 |
12 |
b |
Describe the musical expression
(mood) of an aural example |
200 |
Music |
6 |
3 |
|
AP |
1 |
B |
6 |
12 |
c |
Determine the order and
organization of an aural example |
201 |
Music |
6 |
3 |
|
AP |
1 |
B |
6 |
12 |
d |
Determine the possible
origin of an aural example (e.g., location and time) |
202 |
Music |
6 |
3 |
|
AP |
1 |
B |
6 |
12 |
e |
Characterize the use of
music by its intended function (purpose) and its intended audience |
203 |
Music |
7 |
3 |
|
AP |
2 |
A |
K |
2 |
a |
Develop criteria to distinguish
between quality and non-quality performance through listening and self-assessment
with regard to the following musical elements: appropriate singing voice,
loud/soft, steady beat, posture/stage presence |
204 |
Music |
7 |
3 |
|
AP |
2 |
A |
3 |
3 |
a |
Develop criteria to distinguish
between quality and non-quality performance through listening and self-assessment
with regard to the following musical elements: tone quality, expression/phrasing,
rhytmic accuracy, pitch accuracy, part acquisition, blend/balance, posture.\/stage
presence |
205 |
Music |
7 |
3 |
|
AP |
2 |
A |
4 |
5 |
a |
Develop criteria to distinguish
between quality and non-quality performance through listening and self-assessment
with regard to the following musical elements: tone quality, expression/phrasing,
rhytmic accuracy, pitch accuracy, part acquisition, blend/balance, posture.\/stage
presence, diction/articulation |
206 |
Music |
7 |
3 |
|
AP |
2 |
A |
6 |
12 |
a |
General Music Classes
and Vocal and Instrumental Performance Classes: Develop criteria to
distinguish between quality and non-quality performance through listening
and self-assessment with regard to the following musical elements: tone
quality, expression/phrasing, rhytmic accuracy, pitch accuracy, part
acquisition, blend/balance, posture.\/stage presence, diction/articulation,
style |
207 |
Music |
7 |
3 |
|
AP |
2 |
B |
K |
K |
a |
Use prerequisite music
terms to describe their personal response to a musical example (feelings) |
208 |
Music |
7 |
3 |
|
AP |
2 |
B |
1 |
1 |
a |
Use prerequisite appropriate
music terms to describe their personal responses to a musical example
(images/stories) |
209 |
Music |
7 |
3 |
|
AP |
2 |
B |
2 |
2 |
a |
Use prerequisite music
terms to describe their personal response to a musical example (tempo) |
210 |
Music |
7 |
3 |
|
AP |
2 |
B |
3 |
3 |
a |
Use prerequisite music
terms to describe their personal response to a musical example (tone,
timbre) |
211 |
Music |
7 |
3 |
|
AP |
2 |
B |
4 |
4 |
a |
Use prerequisite music
terms to describe their personal response to a musical example (function/style |
212 |
Music |
7 |
3 |
|
AP |
2 |
B |
5 |
5 |
a |
Use prerequisite music
terms to describe their personal response to a musical example
(offers suggestions for improvement) |
213 |
Music |
7 |
3 |
|
AP |
2 |
B |
6 |
8 |
a |
General Music Classes:
Demonstrate the ability to distinguish between quality and non-quality
performance through listening |
214 |
Music |
7 |
3 |
|
AP |
2 |
B |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Demonstrate the ability to distinguish between
quality and non-quality performance through listening, performing, self-assessment,
and offer suggestions for improvement |
215 |
Music |
7 |
3 |
|
AP |
2 |
B |
9 |
12 |
a |
General Music Classes:
Demonstrate the ability to distinguish between quality and non-quality
performance through listenin |
216 |
Music |
7 |
3 |
|
AP |
2 |
B |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Demonstrate the ability to distinguish between
quality and non-quality performance through listening, performing, and
self-assessment |
217 |
Music |
7 |
3 |
|
AP |
2 |
B |
9 |
12 |
c |
Use musical terminology
to describe their personal response to musical example |
218 |
Music |
8 |
4 |
|
IC |
1 |
A |
K |
K |
a |
Use terms such as plain
or fancy, same or different, bright or dark, in music class and art
class |
219 |
Music |
8 |
4 |
|
IC |
1 |
A |
1 |
1 |
a |
Name words and ideas that
are used to describe works of music, art, dance, or theatre, such as
happy and sad, light and dark, or same and different |
220 |
Music |
8 |
4 |
|
IC |
1 |
A |
1 |
1 |
b |
Identify ways ideas are
used differently in music, art, dance, or theatre (e.g., how music heard
or sung in class makes you feel, and do the same after viewing a painting,
or play, or ballet |
221 |
Music |
8 |
4 |
|
IC |
1 |
A |
2 |
2 |
a |
Tell how concepts such
as repetition and contrast are used in the fine arts |
222 |
Music |
8 |
4 |
|
IC |
1 |
A |
3 |
3 |
a |
Compare and contrast terms
used in the arts (e.g., identify similarities when comparing selected
painting and listening to a musical piece |
223 |
Music |
8 |
4 |
|
IC |
1 |
A |
4 |
4 |
a |
Compare and contrast meanings
of terms used in the arts, such as unity, variety, repetition and contrast
(e.g., listen to a rondo and study pictures of buildings designed by
famous architects; tell where you see or hear examples of repetition |
224 |
Music |
8 |
4 |
|
IC |
1 |
A |
5 |
5 |
a |
Compare the meanings of
terms used in the various arts, such as imagination, unity, repetition,
or contrast |
225 |
Music |
8 |
4 |
|
IC |
1 |
A |
5 |
5 |
b |
Compare in two or more
arts how the characteristic materials of each art (sound in music, visual
stimuli in visual arts, movement in dance, human interrelationships
in theatre) can be used to transform similar events, scenes, emotions,
or ideas into works of art |
226 |
Music |
8 |
4 |
|
IC |
1 |
A |
6 |
8 |
a |
General Music/Vocal
and Instrumental Performance Classes: Compare in two or more arts how
the characteristic materials of each art (sound in music, visual stimuli
in visual arts, movement in dance, human interrelationships in theatre)
can be used to transform similar events, scenes, emotions, or ideas
into works of art |
227 |
Music |
8 |
4 |
|
IC |
1 |
A |
6 |
8 |
b |
Compare characteristics
of two or more arts within a particular historical period or style and
cite examples from various cultures |
228 |
Music |
8 |
4 |
|
IC |
1 |
A |
6 |
8 |
c |
Discuss ways that each
of the arts can enhance understanding and communication globally |
229 |
Music |
8 |
4 |
|
IC |
1 |
A |
9 |
12 |
a |
General Music Classes:
Explain how elements, artistic processes (such as imagination or skills),
and organizational principles (such as unity and variety or repetition
and contrast) are used in similar and distinctive ways in the various
arts and cite examples |
230 |
Music |
8 |
4 |
|
IC |
1 |
A |
9 |
12 |
b |
Compare characteristics
of two or more arts within a particular historical period or style and
cite examples from various cultures |
231 |
Music |
8 |
4 |
|
IC |
1 |
A |
9 |
12 |
c |
Explain how the roles of
creators, performers, and others involved in the arts resemble and differ
from one another in the various arts disciplines |
232 |
Music |
8 |
4 |
|
IC |
1 |
A |
9 |
12 |
d |
Vocal and Instrumental
Performance Classes: Compare the uses of characteristic elements, artistic
processes, and organizational principles among the arts in different
historical periods and different cultures |
233 |
Music |
8 |
4 |
|
IC |
1 |
A |
9 |
12 |
e |
Explain how the roles of
creators, performers, and others involved in the production and presentation
of the arts are similar to and different from one another in the various
arts |
234 |
Music |
8 |
4 |
|
IC |
1 |
A |
9 |
12 |
f |
Compare characteristics
of two or more arts within a particular historical period or style and
cite examples from various cultures |
235 |
Music |
8 |
4 |
|
IC |
1 |
B |
1 |
1 |
a |
Identify ways in which
the principles and subject matter of other disciplines are interrelated
with those of music |
236 |
Music |
8 |
4 |
|
IC |
1 |
B |
1 |
1 |
b |
List common themes found
in all subject areas (e.g., repetition) |
237 |
Music |
8 |
4 |
|
IC |
1 |
B |
2 |
2 |
a |
Identify ways in which
the principles and subject matter of other disciplines are interrelated
with those of music |
238 |
Music |
8 |
4 |
|
IC |
1 |
B |
2 |
2 |
b |
Show how the arts are studied
in ways common to other subjects (e.g., relate rhythmic groups in music
to sets in mathematics) |
239 |
Music |
8 |
4 |
|
IC |
1 |
B |
3 |
3 |
a |
Identify ways in which
the principles and subject matter of other disciplines are interrelated
with those of music |
240 |
Music |
8 |
4 |
|
IC |
1 |
B |
3 |
3 |
b |
Relate ideas learned or
discussed in music to other situations in life (e.g., learn a song about
imagination, and talk about how imagination can help you in many ways) |
241 |
Music |
8 |
4 |
|
IC |
1 |
B |
4 |
4 |
a |
Identify ways in which
the principles and subject matter of other disciplines are interrelated
with those of music |
242 |
Music |
8 |
4 |
|
IC |
1 |
B |
4 |
4 |
b |
Compare the science of
sound as it relates to stringed (violin, piano) and percussion instruments
(e.g., production of sound, vibrations) |
243 |
Music |
8 |
4 |
|
IC |
1 |
B |
5 |
5 |
a |
Describe ways in which
the principles and subject matter of other disciplines are interrelated
with those of music |
244 |
Music |
8 |
4 |
|
IC |
1 |
B |
5 |
5 |
b |
Compare and contrast common
terms used in music and other subject areas (e.g., tell how sound is
created and relate this to string instruments and percussion instruments) |
245 |
Music |
8 |
4 |
1.6 |
IC |
1 |
B |
5 |
5 |
c |
Compare and contrast patterns
in music (e.g., sequence, ABA form, scale patterns) with patterns in
mathematics |
246 |
Music |
8 |
4 |
1.10 |
IC |
1 |
B |
6 |
8 |
a |
General Music/Vocal
and Instrumental Performance Classes: Describe ways in which the principles
and subject matter of other disciplines are interrelated with those
of music |
247 |
Music |
8 |
4 |
1.10 |
IC |
1 |
B |
6 |
8 |
b |
Explain the importance
of group participation, perseverance, and commitment in musical and
non-musical settings. |
248 |
Music |
8 |
4 |
1.10 |
IC |
1 |
B |
6 |
8 |
c |
Describe the similarities
between other subject areas and the arts, (e.g., talk about the relationships
between interpreting music notation and interpreting written language) |
249 |
Music |
8 |
4 |
1.10 |
IC |
1 |
B |
9 |
12 |
a |
General Music Classes:
Explain ways in which the principles and subject matter of various disciplines
outside the arts are interrelated with those of music |
250 |
Music |
8 |
4 |
1.10 |
IC |
1 |
B |
9 |
12 |
b |
Compare and contrast the
processes of analysis, inquiry, and creativity used in the arts to their
use in other subject areas such as mathematics, literature, and the
physical or social sciences |
251 |
Music |
8 |
4 |
1.10 |
IC |
1 |
B |
9 |
12 |
c |
Vocal and Instrumental
Performance Classes: List several skills learned in ensembles and relate
them to those skills needed in areas such as the work force, church
or community group, and other school groups |
252 |
Music |
9 |
5 |
|
HC |
1 |
A |
K |
K |
a |
Identify characteristics
of teacher-selected genres or styles: lullabies, marches, nursery rhymes/chants |
253 |
Music |
9 |
5 |
|
HC |
1 |
A |
1 |
1 |
a |
Identify characteristics
of teacher-selected genres or styles: western and non-western, music,
circle games, call and response, recognize music of now and long ago |
254 |
Music |
9 |
5 |
|
HC |
1 |
A |
2 |
2 |
b |
Identify characteristics
of teacher-selected genres or styles: patriotic, native american, african
american, singing games |
255 |
Music |
9 |
5 |
|
HC |
1 |
A |
3 |
3 |
a |
Identify characteristics
of teacher-selected genres or styles: play party, folk dances/folk music |
256 |
Music |
9 |
5 |
|
HC |
1 |
A |
3 |
3 |
b |
Identify “The Star-Spangled
Banner” as the National Anthem |
257 |
Music |
9 |
5 |
|
HC |
1 |
A |
4 |
4 |
a |
Identify characteristics
of teacher-selected genres or styles: work songs, cowboy songs, square
songs, spirituals, blues |
258 |
Music |
9 |
5 |
|
HC |
1 |
A |
4 |
4 |
b |
Identify music representing
diverse cultures including Missouri (including the music of *Scott
Joplin) and American heritage |
259 |
Music |
9 |
5 |
|
HC |
1 |
A |
5 |
5 |
a |
Identify characteristics
of teacher-selected genres or styles: secular, sacred, multicultural
music, american/patriotic songs, opera, ballet, blues, ragtime |
260 |
Music |
9 |
5 |
|
HC |
1 |
A |
6 |
8 |
a |
General Music Classes:
Identify music from various styles and historical periods by comparing
and contrasting selected elements of music: jazz, orchestral, classical/contemporary,
american/world, musical theater |
261 |
Music |
9 |
5 |
|
HC |
1 |
A |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Identify genre or style from various historical
periods through listening to selected ensemble repertoire |
262 |
Music |
9 |
5 |
|
HC |
1 |
A |
9 |
12 |
a |
General Music Classes:
Identify music from various styles and historical periods by comparing
and contrasting selected elements of music |
263 |
Music |
9 |
5 |
|
HC |
1 |
A |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Identify genre or style from various historical
periods through listening to selected ensemble repertoire |
264 |
Music |
9 |
5 |
|
HC |
1 |
B |
K |
K |
a |
Describe how elements of
music are used in teacher-selected examples: lullabies, marches, nursery
rhymes/chants |
265 |
Music |
9 |
5 |
|
HC |
1 |
B |
1 |
1 |
a |
Describe how elements of
music are used in teacher-selected examples: western and non-western
music, circle games, call and response |
266 |
Music |
9 |
5 |
|
HC |
1 |
B |
2 |
2 |
a |
Describe how elements of
music are used in teacher-selected examples: patritic, native american,
african american, singing games |
267 |
Music |
9 |
5 |
|
HC |
1 |
B |
3 |
3 |
a |
Describe how elements of
music are used in teacher-selected examples: play party, folk dances/folk
music, national anthem |
268 |
Music |
9 |
5 |
|
HC |
1 |
B |
4 |
4 |
a |
Describe how elements of
music are used in teacher-selected examples: work songs, cowboy songs,
square dances, spirituals, ragtime, blues |
269 |
Music |
9 |
5 |
|
HC |
1 |
B |
4 |
4 |
b |
Describe how elements of
music are used in teacher-selected examples of diverse cultures
including Missouri and American heritage |
270 |
Music |
9 |
5 |
|
HC |
1 |
B |
5 |
5 |
a |
Describe how elements of
music are used in teacher-selected examples: secular/sacred, multicultural
music, american/patriotic songs, opera, ballet |
271 |
Music |
9 |
5 |
|
HC |
1 |
B |
6 |
8 |
a |
General Music Classes:
Conclude possible origin and/or historical period of an aural example
by applying artistic perceptions to selected musical examples |
272 |
Music |
9 |
5 |
|
HC |
1 |
B |
6 |
8 |
b |
Vocal and Instrumental
Performance Classes: Conclude possible origin and/or historical period
of an aural example by applying artistic perceptions to selected musical
examples |
273 |
Music |
9 |
5 |
|
HC |
1 |
B |
9 |
12 |
a |
General Music Classes:
Conclude possible origin and/or historical period of an aural example
by applying artistic perceptions to selected musical examples |
274 |
Music |
9 |
5 |
|
HC |
1 |
B |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Proficient and Advanced Conclude possible origin
and/or historical period of an aural example by applying artistic perceptions
to selected musical examples |
275 |
Music |
9 |
5 |
|
HC |
1 |
B |
9 |
12 |
c |
Describe the historical
significance of selected musical literature |
276 |
Music |
9 |
5 |
|
HC |
1 |
C |
K |
K |
a |
Describe the function of
music in various settings and cultural events: lullabies, marches, nursery
rhymes/chants |
277 |
Music |
9 |
5 |
|
HC |
1 |
C |
K |
K |
b |
Identify and demonstrate
appropriate listening behavior during a classroom or outside performance |
278 |
Music |
9 |
5 |
|
HC |
1 |
C |
1 |
1 |
a |
Describe the function of
music in various settings and cultural events: western and non-western
music, circle games, call and response |
279 |
Music |
9 |
5 |
|
HC |
1 |
C |
1 |
1 |
b |
Discuss and demonstrate
appropriate listening behavior for various types of performances |
280 |
Music |
9 |
5 |
|
HC |
1 |
C |
2 |
2 |
a |
Describe the function of
music in various settings and cultural events: patriotic, native american,
african american, singing games |
281 |
Music |
9 |
5 |
|
HC |
1 |
C |
2 |
2 |
b |
Discuss and demonstrate
appropriate listening behavior for various types of performances |
282 |
Music |
9 |
5 |
|
HC |
1 |
C |
3 |
3 |
a |
Describe the function of
music in various settings and cultural events: play party, folk dances/folk
music, national anthem |
283 |
Music |
9 |
5 |
|
HC |
1 |
C |
3 |
3 |
b |
Discuss and demonstrate
appropriate listening behavior for various types of performances |
284 |
Music |
9 |
5 |
|
HC |
1 |
C |
4 |
4 |
a |
Describe the function of
music representing diverse cultures, including Missouri and American
heritage, in various settings and cultural events: work songs, cowboy
songs, square dances, spirituals, ragtime, blues |
285 |
Music |
9 |
5 |
|
HC |
1 |
C |
4 |
4 |
b |
Discuss and demonstrate
appropriate listening behavior for various types of performances |
286 |
Music |
9 |
5 |
|
HC |
1 |
C |
5 |
5 |
a |
Describe the function of
music in various settings and cultural events: secular/sacred, multicultural
music, american/patriotic songs, opera, ballet |
287 |
Music |
9 |
5 |
|
HC |
1 |
C |
5 |
5 |
b |
Document understanding
of musical experiences through writing samples or illustrations |
288 |
Music |
9 |
5 |
|
HC |
1 |
C |
6 |
8 |
a |
Describe the function of
music in various settings and cultural events |
289 |
Music |
9 |
5 |
|
HC |
1 |
C |
6 |
8 |
b |
Attend and describe live
musical experiences |
290 |
Music |
9 |
5 |
|
HC |
1 |
C |
9 |
12 |
a |
General Music Classes:
Describe the effects of society, culture and technology on music |
291 |
Music |
9 |
5 |
|
HC |
1 |
C |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Proficient and Advanced, Categorize the function
of music being performed in relation to its function in society or history |
292 |
Music |
9 |
5 |
|
HC |
1 |
D |
K |
K |
a |
Identify responsibilities
of a music leader and group participants in a classroom setting |
293 |
Music |
9 |
5 |
|
HC |
1 |
D |
1 |
1 |
a |
Identify responsibilities
of a music leader and group participants in a classroom setting or performance
ensemble setting |
294 |
Music |
9 |
5 |
|
HC |
1 |
D |
2 |
2 |
a |
Identify responsibilities
of an accompanist and soloist |
295 |
Music |
9 |
5 |
|
HC |
1 |
D |
3 |
3 |
a |
Identify responsibilities
of a *composer and conductor |
296 |
Music |
9 |
5 |
|
HC |
1 |
D |
4 |
4 |
a |
Identify available music-related
careers in a give setting in the community |
297 |
Music |
9 |
5 |
|
HC |
1 |
D |
4 |
4 |
b |
Identify available music
involvement opportunities in the school setting such as band, orchestra,
choir, musical theatre, etc. |
298 |
Music |
9 |
5 |
|
HC |
1 |
D |
5 |
5 |
a |
Identify available music-related
careers in a given setting |
299 |
Music |
9 |
5 |
|
HC |
1 |
D |
6 |
8 |
a |
Compare and contrast a
variety of music and music-related vocations and avocations |
300 |
Music |
9 |
5 |
|
HC |
1 |
D |
9 |
12 |
a |
General Music Classes:
Discuss musical figures and their role as composers/performers/ innovators |
301 |
Music |
9 |
5 |
|
HC |
1 |
D |
9 |
12 |
b |
Vocal and Instrumental
Performance Classes: Compare and contrast music and music-related vocations
and avocations |
302 |
Music |
9 |
5 |
|
HC |
1 |
D |
9 |
12 |
c |
Cite well-known composers
and/or performers of various styles and periods specific to ensemble
repertoire |
303 |
Music |
9 |
5 |
|
HC |
1 |
D |
9 |
12 |
d |
Cite well-known performers
specific to student’s instrument and/or voice |
304 |
|
|
|
|
|
|
|
|
|
|
|